1.abase
(v.) to humiliate, degrade
–(After
being overthrown and abased, the deposed leader offered to bow down to his
conqueror
2.aberration
(n.)something that differs from the norm
–In
1918, the Boston Red Sox won the World Series, but the success turned out to be
an aberration, and the Red Sox have not won a World Series since.
3.abnegation
(n.) denial of comfort to oneself
–The
holy man slept on the floor, took only cold
showers, and generally followed other practices of abnegation.
4.abstruse
(adj.) hard to comprehend
–Everyone
else in the class understood geometry easily, but John found the subject
abstruse.
5.accede
(v.) to agree
–When
the class asked the teacher whether they could play baseball instead of learn
grammar they expected him to refuse, but instead he acceded to their request.
6.acrimony
(n.) bitterness, discord
–Though
they vowed that no girl would ever come between them, Biff and Trevor could not
keep acrimony from overwhelming their friendship after they both fell in love
with the lovely Teresa.
7.acumen
(n.) keen insight
–Because
of his mathematical acumen, Larry was able to figure out in minutes problems that took other students hours.
8.adroit
(adj.) skillful, dexterous
–The
adroit thief could pick someone’s pocket without attracting notice.
QUARTER 1
Vocabulary #1
flowstone
granitic
collet
discalced
barrows
shoddy
scabland
riprap
Vocabulary #2
pipeclayed
chifforobe
macadam
sappers
woad
chert
middens
bolus
Vocabulary #3
aesthetic
anachronistic
clairvoyant
conformist
diligent
frugal
nonchalant
novice
Vocabulary #4
deleterious
demagogue
enervating
precocious
querulous
spurious
surreptitious
adulation
Vocabulary #5
Abasement - n., humiliation; degradation
Billowing
– adj., swelling; fluttering; waving
Harangue
– adj., noisy, attacking speech
Nullify
- v., to counter; make unimportant
Abrogate - v., cancel; deny; repeal
Enigma –
n., puzzle; mystery
Ensconce
- v., establish firmly in a position
Tawdry - adj., of
little value; gaudy
ACAA – Ms. Tomasik
Senior English Literary Terms
You will master and apply the following literary terms
taught throughout the 2012 – 2013 school
year. I would use this as a reference guide to keep safe your English notebook
while lectures and book discussions are taken in class. We will review these terms as
a class and discuss their application to the novel or writing unit studied at
the time.
An easy way is to study the online flashcards of these terms found on quizlet.com. You can access the link here.
active
voice
|
Describes the
relationship between the action (and state) that the verb expresses and the
participants identified by its arguments (subject, object, etc.). When the
subject is the agent or actor of the verb, the verb is in the active voice.
|
allegory
|
An extended
narrative, which carries a second meaning along with its surface story; the
people and events are symbolic.
|
alliteration
|
The repetition of
similar consonant sounds at the beginning of words.
|
allusion
|
Referring
metaphorically to persons, places, and things from history or previous
literature. Enrich their contexts by reminding the reader of relevant
associations.
|
analogy
|
An explanation of
one thing by comparing it point by point with something else.
|
antagonist
|
The forces arrayed
against the main character (persons, things, conventions of society, or
traits of the protagonist's own character).
|
anti-climax
|
An abrupt declension
(either deliberate or unintended) on the part of a speaker or writer from the
dignity of idea which he appeared to be aiming at. (ex. "The holy
passion of Friendship is of so sweet and steady and loyal and enduring a
nature that it will last through a whole lifetime, if not asked to lend
money.")
|
antithesis
|
Using contrasts for
effect (ex. Deserts are dry; oceans are wet)
|
apostrophe
|
The direct
addressing of a person, an inanimate entity, or an abstract quality as though
it were present and listening.
|
argumentative essay
|
An essay, which
attempts to convince the reader of the truth of a premise by means of logic
and other forms of persuasion.
|
anecdotal evidence
|
Usually relate to
how certain types of evidence cannot be used to logically conclude something.
|
archaic language
|
Old-fashioned,
out-of-date language and expressions.
|
aside
|
A stage convention
used to indicate words spoken by a character but heard only by the audience
and not by other characters on stage.
|
assonance
|
The repetition of
vowel sounds without the repetition of the same consonants. (ex. The rain in
Spain stays mainly in the plain.)
|
atmosphere
|
The mood the reader
gets from the setting, the characterization and the tone of the narrator.
|
audience
|
The people for whom
a written work or presentation is intended.
|
autobiography
|
A non-fictional
account of a person's life written by the subject.
|
ballad
|
Traditionally,
narrative poems that began as songs and were handed down orally.
|
ballad stanza
|
Four-line stanzas
(quatrains) with alternating four-beat and three-beat lines, and rhymes in
the second and fourth lines.
|
bias
|
A subjective point
of view in which the writer's opinion affects the integrity of the work.
|
biography
|
A non-fictional
account of someone's life.
|
blank verse
|
Usually iambic
pentameter but no rhyme. (ex. Shakespeare's plays)
|
cacophony
|
A combination of
harsh, unpleasant sounds, which create an aggregate effect.
|
caricature
|
A description of a
person using exaggeration of some characteristics and oversimplification of
others for comic reasons.
|
case study
|
A detailed analysis
of an individual, group, or event.
|
catastrophe
|
One name for the
concluding action of a tragedy; a disaster of huge proportions.
|
cause and effect
|
Two events are
related when one event brings about or causes the other. The event that
happens first is the cause; the one that follows is the effect.
|
character
|
A person who is
responsible for the thoughts and actions within a story, poem, or other
literature.
|
characterization
|
A method of
presenting the special qualities or features of a character.
|
character foil
|
A character that
contrasts with another character (usually the protagonist) and so highlights
various facets of the main character's personality.
|
chorus
|
A group of people
who serve mainly as commentators on the characters and events. Add to the
audience's understanding of the play by expressing traditionally moral,
religious, and social attitudes.
|
chronological order
|
The order in which
events happen in time.
|
cliché
|
An over-used,
time-worn expression or idea.
|
climactic order
|
To save the most
important to last.
|
climax
|
Turning point, point
of maximum interest, and highest tension in the plot of a story, play, or
film. Usually occurs towards the end of story after the reader has understood
the conflict and become emotionally involved with the characters.
|
colloquialism
|
A word or phrase
used in an easy informal style of writing or speaking.
|
colloquial language
|
Informal language;
language that is "conversational".
|
comedy
|
A ludicrous and
amusing event or series of events in a work of literature.
|
comedic relief
|
The inclusion of a
humorous character or scene in an otherwise serious work of literature.
|
compare and contrast
|
To note the
similarities and differences between two things.
|
comparison
|
The process of
identifying similarities.
|
conflict
|
The tension or
problem of a story; a struggle between opposing forces. (man vs. man, man vs.
nature, man vs. himself)
|
connotation
|
The cluster of
implications that words or phrases may carry with them, as distinguished from
their denotative, or exact, meanings.
|
consonance
|
A special type of
alliteration in which the repeated pattern of consonants are marked by
changes in the intervening vowels.
|
contrast
|
Showing differences
between or among things.
|
couplet
|
A pair of rhymed
lines that form a stanza.
|
denotation
|
The specific, exact
meaning of a word, independent of its emotional coloration or associations.
|
denouement
|
The outcome of a
series of events, the resolution that occurs after the climax of a work of
literature.
|
descriptive essay
|
An essay that
describes a person, place, or object.
|
dialect
|
Language from a
particular place, era, or social class.
|
dialogue
|
Lines spoken between
characters of a work of literature.
|
diary
|
An informal record
of a person's private life.
|
diction
|
The choice of words
and word order in a work of literature.
|
didactic
|
Writing used to
teach or convince the reader of a particular point.
|
dilemma
|
A problem that
creates conflict within or between characters.
|
direct presentation
|
When the writer
tells readers what kind of personality the character possesses rather than
allowing the character to show his or her personality and allow readers to
draw their own conclusions.
|
dissonance
|
The deliberate use
of syllables or words that sounds harsh together.
|
drama
|
Writing presented in
the form of a pantomime, play, or dialogue in front of an audience.
|
dramatic irony
|
A situation in a
narrative or drama where the audience knows more than the character.
|
dramatic monologue
|
When a single
character addresses a silent audience at a critical moment and reveals
something about himself or herself.
|
dramatic form
|
Various literary
forms that are related and include dramatic material.
|
dynamic character
|
A character that
develops and changes in a work of literature.
|
editorial
|
An opinion piece
about any topic.
|
elegy
|
A mournful poem; a
lament for the dead.
|
emotional appeal
|
Persuading an
audience through the use of emotion.
|
epic
|
A poem that is a
long narrative, has a hero or anti-hero, uses elevated language, and in which
the outcome of a group of people is based on the success or failure of the
protagonist.
|
epilogue
|
A short addition of
concluding section at the end of a literary work, often dealing with the
future of its characters.
|
epiphany
|
A revelation of such
power and insight that it alters the world-view of the person who experiences
it.
|
epigram
|
A short verse at the
beginning of a poem or novel.
|
epitaph
|
An inscription on a
tombstone or monument in memory of the person buried there; a summary
statement of commemoration for a dead person.
|
euphemism
|
A "nicer"
word or phrase used to replace an offensive word or phrase.
|
euphony
|
Agreeable sounds
produced by a succession of mellifluous words.
|
expert testimony
|
An opinion given by
a person highly educated in a topic.
|
exposition
|
The
"exposing" of the story behind the story; an act of writing a
speech for the purpose of conveying information.
|
expository essay
|
A simple essay
usually factual and written without emotion.
|
extended metaphor
|
A metaphor that is
extended through a stanza or entire poem, often by multiple comparisons of
unlike objects or ideas.
|
external conflict
|
A struggle between
two opposing characters or forces.
|
fable
|
A short tale with
animal characters that teaches a moral lesson.
|
falling action
|
The action that
occurs after the climax of a work of literature.
|
fantasy
|
Literature that
contains characters and a plot involving magic and invented characters.
|
farce
|
A light humorous
play.
|
figurative language
|
Language that
contains many poetic devices; a way of saying something other than the
literal meaning of words.
|
first person point
of view
|
A POV in which an
"I" or "we" serves as a narrator of a piece of
literature.
|
flashback
|
The presentation of
a scene that takes place before the present in a work of literature.
|
flat character
|
A minor character
who has little depth of personality.
|
foil
|
A character that
contrasts with and reveals various aspects of the main character's
personality.
|
foreshadowing
|
A hint of things to
come.
|
form
|
The structure of a
piece of writing.
|
formal essay
|
An essay that uses
academic language, logical organization, and serious purpose.
|
formal language
|
The use of
"high" language or dialect in preference to "low"
language or dialect; academic language
|
frame story
|
Employs a narrative
technique whereby an introductory main story is composed, at least in part,
for the purpose of setting the stage for a fictive narrative or organizing a
set of shorter stories, each of which is a story within a story.
|
free verse
|
A poem that has no
limitations in its use of meter or rhyme.
|
genre
|
A category of
literary work- horror, comedy, tragedy, chick lit., pastoral, etc.
|
graphic text
|
A combination of
pictures and words to tell a story.
|
hero
|
The central
character of a story, usually possesses positive qualities (as opposed to a
protagonist who can be positive or negative).
|
historical reference
|
A reference to
something historical.
|
hyperbole
|
Obvious and
intentional exaggeration.
|
iambic pentameter
|
A common meter in
poetry consisting of an unrhymed line with five feet or accents, each foot
containing an unaccented syllable and an accented syllable.
|
idiom
|
An expression whose
meaning is not predictable from the usual meanings of its constituent
elements or from the grammatical rules of a language.
|
image
|
Concrete details and
figures of speech that help the reader to form vivid sense impressions of
what is being described.
|
imagery
|
Representation
through language of sense experience. Most often suggests a mental picture,
but may also represent a sound, smell, taste, or tactical experience.
|
indeterminate ending
|
Literature with an
uncertain ending or where some problem or conflict may remain undecided.
|
indirect
presentation
|
The writer presents
the character in action, allowing the reader to draw his or her own
conclusions about the personality of that character.
|
informal essay
|
An essay that does
not follow the restrictions of a formal paper. Personal pronouns and casual,
spoken language are acceptable.
|
informal language
|
The casual language
we use every day.
|
interior monologue
|
A type of stream of
consciousness that depicts the inner thoughts of a character.
|
internal conflict
|
The problem or
struggle that takes place in the main character's minds (person vs. self).
|
internal rhyme
|
Rhyme which comes
within lines.
|
irony
|
A literary device
which reveals concealed or contradictory meanings.
|
jargon
|
Language especially
the vocabulary peculiar to a particular trade, profession, or group.
|
juxtaposition
|
An act or instance
of placing close together or side by side, especially for comparison or
contrast.
|
legend
|
A story handed down
from the past about a specific person, usually someone of heroic
accomplishments.
|
limited omniscient
point of view
|
Author tells the
story in third person, but from the viewpoint of a single character. The
thoughts and feelings of other characters are not shown.
|
literal language
|
What is said is
based exactly in reality without the comparisons used in figurative language.
|
lyric
|
Any short poem
intended mainly to express a state of mind or feeling.
|
melodrama
|
A dramatic form
characterized by excessive sentiment, exaggerated emotion, sensational and
thrilling action, and an artificially happy ending.
|
metaphor
|
A comparison between
two things which are essentially dissimilar. Usually implied rather than
directly stated.
|
meter
|
Any regular pattern
of rhythm based on stressed and unstressed syllables.
|
monologue
|
An extended speech
by one person.
|
mood
|
The overall
emotional atmosphere of a scene or situation.
|
mystery
|
A suspense story
which contains a crime and a solution by a detective.
|
myth
|
Applies particularly
to a story connected with the religion of a primitive civilization. Usually
about gods or superhuman beings and are invented to explain certain beliefs
or some aspect of nature.
|
narrative
|
The story or account
itself.
|
narration
|
The telling of a
story.
|
narrator
|
The person telling
the story.
|
objective (language,
tone, etc.)
|
Not about the
thoughts of the speaker or writer; giving the facts as they are without bias.
|
objective point of
view
|
The narrator knows
only what can be heard and seen from outside the characters' thoughts and
emotions.
|
octave
|
An eight line
stanza.
|
ode
|
A lyric poem of some
length, serious in subject and dignified in style.
|
omniscient point of
view
|
God-like scope; able
to enter the mind of any character at any time to reveal his thoughts,
feelings, and beliefs.
|
onomatopoeia
|
The use of words
which sound like what they mean.
|
oxymoron
|
Two contradictory
words placed side by side for emphasis (ex. jumbo shrimp).
|
paradox
|
A statement in which
there is an apparent contradiction which is actually true.
|
parallelism
|
A repetition of
sentences using the same structure.
|
parody
|
A work designed to
ridicule the style and substance of another literary work.
|
passive voice
|
The subject of the
sentence is neither a do-er or a be-er, but is acted upon by some other agent
or by something unnamed.
|
pastoral
|
A literary work that
has to do with shepherds and rustic settings.
|
pathos
|
Occurs when the
audience experiences the emotions of pity, tenderness, or sorrow.
|
personal essay
|
A first person
narrative.
|
personification
|
Giving human
characteristics to an animal, object, or idea.
|
persuasive essay
|
An essay designed to
convince a reader of a writer's point of view.
|
persuasive technique
|
Strategies employed
(such as emotional appeal or bias) to convince a reader of a writer's point
of view.
|
plot
|
The story line or
organization of incidents in a story. Consists of episodes and conflict,
usually has a rising and falling action.
|
point of view
|
Who tells the story
and how the story gets told.
|
pro and con argument
|
Expressing arguments
that are both for and against a position.
|
prologue
|
An introductory
speech or written passage at the start of a work of literature.
|
propaganda
|
Biased writing with
extreme examples meant to sway an audience to a certain POV.
|
protagonist
|
The main character.
|
proverb
|
A phrase, describing
an example of a basic truth that is transferred to common situations.
|
purpose
|
What the writer is
trying to achieve through the writing.
|
pun
|
A joke or type of
wordplay in which similar senses or sounds of two words or phrases, or
different senses of the same word, are deliberately confused.
|
quatrain
|
A four lined stanza
that can be rhymed or unrhymed.
|
question and answer
|
The process of
raising a question while reading in an effort to understand characters and
events.
|
refrain
|
A line or lines that
are repeated in music or verse.
|
repetition
|
When a specific word
or phrase is used several times to emphasize a particular idea.
|
research
|
Close, careful study
using various sources of a topic.
|
resolution
|
The part of a work
of literature that occurs after the climax and ties up any loose ends.
|
rhetorical question
|
A literary technique
that involves asking a question that has an obvious answer that does not need
to be answered.
|
rhyme
|
The repetition of
similar or duplicate sounds at regular intervals, usually the repetition of
the terminal sounds of words at the ends of lines.
|
rhyme scheme
|
The pattern of
rhyme; traditionally marked by assigning letters of the alphabet to each
rhyming sound at the end of each line.
|
rhythm
|
A pattern of
stressed and unstressed sounds in poetry.
|
rising action
|
The events that lead
up to the climax in a work of literature.
|
round character
|
A many-sided
character that does not always act predictably.
|
sarcasm
|
Crudely mocking or
contemptuous language; a form of verbal irony.
|
satire
|
A form of literature
that ridicules some aspect of human behavior, customs, or attitude in an
attempt to bring about change.
|
sestet
|
A six line poem or
stanza.
|
setting
|
The time, place, and
mood of a work of literature.
|
simile
|
When something is
described by comparing it to something else, using like, than or as (ex.
"He ran like a monkey.").
|
slang
|
A type of informal
verbal communication that is generally unacceptable for formal writing.
|
soliloquy
|
A dramatic
conversation through which a character, alone onstage, utters his or her
thoughts aloud.
|
sonnet
|
A 14 line poem
usually written in iambic pentameter; can be Shakespearean or Italian
|
speaker
|
The
"voice" used by an author to tell a story or speak a poem.
|
stanza
|
A
"paragraph" in poetry.
|
stream of
consciousness
|
A running or flowing
way a character or narrator expresses his or her feelings and inner-most
thoughts.
|
statistical evidence
|
The use of factual
numbers to support an argument.
|
static character
|
A character who does
not change throughout a work; the reader's knowledge of the character also
does not grow.
|
stereotype
|
A conventional,
formulaic, and oversimplified concept, opinion, or image.
|
stock/stereotyped
character
|
A one-dimensional
character that possessed stereotyped qualities relating to gender, class, or
ethnicity.
|
story within a story
|
A literary device in
which one story is told during the action of another story.
|
style
|
The characteristics
of an author's writing.
|
stylistic technique
|
The techniques used
by an author in his or her writing.
|
subjective
(language, tone, etc.)
|
Language that can be
interpreted in different ways depending on the reader.
|
surprise ending
|
An ending that is
meant to shock the reader.
|
suspense
|
A state or condition
of mental uncertainty or excitement, as in awaiting a decision or outcome,
usually accompanied by a degree of apprehension or anxiety.
|
symbol
|
An object that
represents something more than its literal definition.
|
symbolism
|
The use of symbols
to convey meaning.
|
theme
|
A unifying or
dominant idea in a story usually implied rather than directly used.
|
thesis
|
The main argument of
an essay.
|
thesis statement
|
A statement that
presents the main argument of an essay.
|
third person point
of view
|
The point of view
that relates action through "he" and "she".
|
tone
|
The author's
implicit attitude towards the reader or the places, people, and events in a
work of literature.
|
tragedy
|
A work of literature
that features a catastrophic fall from grace of its protagonist.
|
understatement
|
The opposite of
hyperbole; the purposeful saying of less than what is meant.
|
voice
|
The dominating tone
of a literary work, not always identifiable with the actual views of the
author.
|
wit
|
Intellectually
amusing statements.
|
synecdoche
|
A figure of speech
in which a part is used to represent the whole (ex. All hands on deck.).
|
verbal irony
|
The use of words
where what is said is different and often opposite of what is meant.
|
situational irony
|
Refers to a contrast
between what a character or the reader expects to happen in a situation and
what really happens.
|
I like the background. Yup.
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